Thursday, December 8, 2016
Thursday, December 1, 2016
Franciszka Themerson
http://hyperallergic.com/339726/a-polish-avant-garde-artists-endless-draw-for-the-line/
Tuesday, October 18, 2016
Monday, October 17, 2016
Friday, October 7, 2016
Thursday, October 6, 2016
Friday, September 30, 2016
Thursday, September 1, 2016
Friday, August 26, 2016
Wednesday, August 24, 2016
Friday, July 22, 2016
Saturday, April 16, 2016
Jake Berthot
Art inspired by landscape and poetry
http://hyperallergic.com/290249/silence-like-a-sense-jake-berthots-visual-poetics/
"In this vein, Berthot’s paintings are confident diagrams that map shifting relationships between our seemingly limitless human capacity for reinvention and the finite properties of the natural world. His clarity in execution and purpose serve that mysterious balance so well that they make palatable Stevens’ notion that 'Music falls on the silence like a sense/A passion that we feel, not understand.'" - Tyler Kean, Hyperallergic
Monday, April 4, 2016
Saturday, February 20, 2016
Tuesday, January 19, 2016
Artist Statement
I can relate to some of Jenny Holzer's artist statement:
Jenny Kendler's work explores human beings' complex relationships with the natural world. She presents her intimate sculptural works, drawings and public projects as a counterpoint to the view of nature...
Kendler’s sculptural works and drawings use delicacy, ornamentation and intricacy to echo the subtle and mysterious patterns of the living world. These seemingly fragile works draw viewers in, rekindling feelings of interconnection and wonderment.
http://jennykendler.com/artwork/3465927_STATEMENT.html
Tuesday, January 5, 2016
Saturday, January 2, 2016
Charles Gaines
"Los Angeles-based artist Charles Gainesis celebrated for his photographs, drawings, and works on paper that investigate how rules-based procedures construct order and meaning. Working serially in progressive and densely layered bodies of works, Gaines explores the interplay between objectivity and interpretation, the systematic and the poetic. His groundbreaking work of this period serves as a critical bridge between the first generation conceptualists of the 1960s and 1970s and those artists of later generations exploring the limits of subjectivity and language."
http://hammer.ucla.edu/exhibitions/2015/charles-gaines-gridwork-1974-1989/
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